Free Online Watch Bale Pandiya Kollywood Movie Download Trailer Tamil Review

Bale Pandiya Kollywood movie 2010

Comedy Movie

Cast And Crew

Release Date: 03 Sep 2010
Genre: Action - Comedy
Language: Tamil
Certification: U
Director: Siddharth
Producer:Kalpathi S Aghoram
Music Director: Devan
Cast:
Vishnu
Piaa Bajpai
Vivek


The Story:

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Pandian is a young man, looking for something positive to occur in his life. After failing in every attempt to find a job and make a life for himself, he gets branded as a complete loser and a jinx.

Unsuccessful in getting a job, failed in love and heavily in debt – he decides to end his life.

After several unsuccessful attempts – a completely depressed Pandian takes the help of AKP; a notorious contract killer to do the job.

AKP agrees. He then embarks on a journey that changes his life and leads him to his ultimate destiny.

Borrowing its theme from the yesteryear classic of the same name, this movie differs in its treatment, and is not to be confused with the old Bale Pandiya.

Adman Siddharth Chandrasheker makes his incursion into direction with AGS Entertainment’s Bale Pandiya with Vishnu of Vennila Kabbadi Kuzhu fame and Pia Bajpai in lead roles. The title does not bear any resemblance to the old Sivaji Ganesan hit but for the ‘mama-maapley’ track in the ‘sirkkiren’ number. In his maiden directorial flick, Siddharth weaves a story about an unlucky
Irandu Mugam
young man, his escapades in life and his interpretations of the same.

Right from his birth, Pandiyan (Vishnu) remains ill fated and his bad luck follows him wherever he goes. Some of the incidents to show this are amusing, especially when he gets into a big bus which breaks into two and the Nadi Josier (astrologer) dying while writing his horoscope! Even his suicide attempts are failures and he finally takes the help of henchman AKB to kill him. AKB is hired by politician Pasupathy (John Vijay) to kidnap Vaishnavi (Pia), daughter of fellow politician Jaiprakash, basically to silence him on a political issue. In the midst of this, Vivek comes from London in search of Pia to marry her. How the paths of all these people are brought in a single line and what life has in store for Vishnu, when he has decided to call it quits, is the story of Bale Pandiya.

The attempts of director Siddharth appear fresh and there are touches of his ad world experience in a few scenes. The summation of the events at the end is very interesting and novel too. And so are the title credits. Some of the dialogues are high on intelligent humor especially when Pia says on a good bye note to Vishnu “Inda situationla Birlavaa irundalum Tata nnu daan sollanum.” The scene where pedestrians and cyclists overtake Vishnu’s bike is funny. However, Siddharth has not held the screen play tightly through out and loses his grasp especially towards the end. The film seems to drag on with a meandering narration in the latter half.

For Vishnu, this is his second film and the lad has done justice to his role. Cute Pia passes muster but it is time she has a make over as her looks and costumes are virtually the same in all films. Amarendran, as the dada, is an impressive find. SS Music Gibran has nothing to write home about. John Vijay is rocking as always and is a delight to watch. Jaiprakash delivers right.

Vivek, as the man from London trying to chide the happenings in Chennai, is annoying mostly. But he can be forgiven when he talks some sense about giving way to ambulance and giving a simple solution for deep dug holes in the roads.

Devan Ekambaram’s debut as music director is just about satisfactory. The song ‘Happy’ is picturised differently with many singers and the Kangalal Kamalalayam is melodious. Devan’s music is very loud and his BGM even overlaps the dialogues in some scenes.

In short, if Siddharth had tweaked a few portions it would have resulted in a crisper Bale Pandiya. Go without expectations and enjoy the ride!


Higher hypes and publicities made good waves of expectations prior to release. Designer Siddarth’s debut directorial ‘Bale Pandiya’ boasts of a blend of new thread of storyline set backdrops of usual plot of goodie-baddie conflict.

Siddarth’s treatment of script is quite enjoyable as he brings the film with right mix of action and comedy.

Pandiya (Vishnu) finds the best contract killer AKP (Amar) and pleads to assassinate him. First shocked with a crazy approach, AKP and his henchmen ask him to pull out reasons for his drastic decisions. Thus starts his flashback of unlucky misadventures from his birth, which even makes these contract killers quite dumbfounded. On the other end, AKP is on his mission of kidnapping Vaishnavi (Piaa), which turns to be a failure as unlucky Pandiya is besides them. Soon after a point, AKP assures Pandiya about fulfilling his needs and assigns him as a human bomber at the venue of All India Police Conference. Indeed, he offers him a debit card with value of Rs.25Lakhs with the expiry date on 10th of next month (Day to end his life).

Pandiya starts enjoying his life as he carelessly swipes his card letting his family cross its hurdles and then comes across Vaishnavi. They fall in love and Pandiya feels like paradise coming down on Earth, but it’s already Date 10.

Filled with hopes of canceling the assignment, Pandiya takes Vaishnavi to the house of AKP unaware that he and his henchmen are mysteriously killed.

The first half (80mins) keeps going with jolliness as it just carries the establishment of characters. The title song ‘Bale Pandiya’ itself reveals of the protagonist’s character. Certain sequences like ‘Traffic Signal’, ‘First Love Failure’, and Vivek’s arrival at airport are enjoyable. Piaa Bajpai takes on a good screen presence and her costuming is done well. Vishnu has improvised a lot from his previous and his stunts are really appreciable. But, he could yet more spend more efforts on emoting to best. Amar as AKP picks your interest and flashback involving his help for Vishnu is sure to astonish the audiences. Gibran’s look is quite ludicrous and looks like comedy-villain in Old Tamil films. Vivek’s satirical liners like Rs. 1 for Rice and Rs.2 for using Public Toilet wins him applause and not to miss Englishmen introduced Mobile Phone and Tamilians introduced Missed Call.

Post-intermission, there are some lagging sequences as the story turns to be an usual conflict between two politicians and hero’s run of saving his girl from the clutches of baddies. John Vijay is average and Jayaprakash as grey-shaded politician is good.

Cell phone sequence in ambulance and tracing it faintly reminiscences of Rajnikanth’s blindfolded act in ‘Priya’. The stunt sequence during second half has been choreographed neatly. The film could have been well narrated even with a duration of 2hrs (trimming 10 mins each hour of original duration 140mins).

Devan Ekambaram’s musical score is extraordinary and the songs have been pictured well. Especially the song ‘Sirikiren’ and Kangale Kamalayam’ are visual treats.

‘Bale Pandiya’ offers a decent entertainment for its viewers. Stressed out of heavy work, looking better way to chill, walk in with popcorns, sit back and relax.

What works: Screenplay, entertaining factors, comedy, Music, Camera

What doesn’t work: Few logics missing, lengthy duration but bearable, emotionless romance